Al Jolson Let Me Sing and I'm Happy
This song is another written by Irving Berlin, as the new decade
starts Berlin would have his hand in shaping American music
and especially American popular songs. Let Me Sing and I'm Happy
is sort of an ode for anyone who loves to sing. People that
sing in Community Theater, in choirs and in the shower and this
song was made for them. The song was recently resurrected for
the stage musical Irving Berlin's White Christmas.
Benny Menoff and his Orchestra Happy Days Are Here Again
The song was copyrighted in 1929 by Milton Ager (music) and
Jack Yellen (lyrics). The song is best remembered as the campaign
song for Franklin Delano Roosevelt. It has often been referred
to as the unofficial anthem for the Democratic Party. The
song would be resurrected in the early 1960s by Barbra Streisand
first as a single and then on her first album. Her take on
the song would make it a ballad instead of the upbeat happy,
hopeful song it was originally written as. Streisand would
sing the song as a duet with Judy Garland. The song would
be a medley of Garland's Get Happy in counterpoint to Streisand's
Happy Days. The performance would be recreated for an episode
of GLEE and song by Rachel Berry and Kurt Hummel
Earl Burnett and his Los Angeles Biltmore Hotel Orchestra Puttin on the Ritz
This song was another hit for Berlin and is most associated
with Fred Astaire. The title refers to the idea of getting
dressed up to go out to some place really nice or "swanky,"
as the slang was used at the time. The Ritz was and is a very
upscale hotel. The song would continue to be used. In films
it would be song by Clark Gable in the film Idiot's Delight.
It would again be filmed in Mel Brookes' Young Frankenstein.
Puttin on the Ritz would hit the charts again in 1983 as recorded
by Taco. It would be peak at # 4
Nat Shilkret Get Happy
Get Happy was composed by Harold Arlen, with lyrics written
by Ted Koehler, and was originally performed in the musical
the Nine Fifteen Revue by Ruth Etting. The song is most associated
with Judy Garland from the film Summer Stock co-starring Gene
kelly. In 1939 Arlen would write the music for another Judy
Garland standard, Somewhere over the Rainbow.
Red Nichols Embraceable You
Written by George abd Ira Gershwin for an operetta called
East is West. It would be performed again by Ginger Rogers
in the Broadway Musical Girl Crazy. The song would continue
to be recorded by such artists as Frank Sinatra, Liberace,
and Liza Minnelli. Liza's mother, Judy Garland, performed
the song in the film version of Girl Crazy.
Ruth Ettings Ten Cents A Dance
Written by Richard Rodgers, with lyrics by Lorenz Hart, the
song was published in 1930 and was first performed by Ruth
Ettings in the musical Simple Simon. The song is a lament
song by a woman who makes her living by dancing with strange
men for money.
Ted Lewis and his Orchestra On The Sunny Side of the Street
On The Sunny Side Of The Street was composed by Jimmy McHugh
with lyrics by Dorothy Fields, and introduced in the Broadway
musical Lew Leslie's International Revue, starring Harry Richman
and Gertrude Lawrence. The song would be recorded many times
by such artiste as Willie Nelson, The Manhattan Transfer and
Rod Stewart.
Duke Ellington Three Little Words
With music by Harry Ruby and the lyrics by Bert Kalmar, the
song would be used again and again and would eventually be
the name of the a movie based on the lives of the song writing
team that created the song. In the middle of the 1970s the
Advertising Council used a fully orchestrated version of the
song in a series of Public Service Announcements about seat
belt safety; the slogan for these commercials was "Seat
belts: a nice way to say 'I Love You'."
Paul Whiteman After You've Gone
Was actually written in 1918 with by Turner Layton, with lyrics
written by Henry Creamer and was originally recorded by Marion
Harris in 1922. It would be recorded by Benny Goodman, Fats
Waller and Phil Collins. It would be used by Ethel Merman
in the TV show That Girl, when Merman describes to Ann Marie
(Marlo Thomas) how she was fired from her first night club
job for singing to loud.
Top Artists and Songs of
1930
Al Jolson
Let Me Sing and I'm Happy
To My Mammy
Ben Selvin
Happy Days Are Here Again
When It's Springtime In The Rockies
Benny Meroff and his Orchestra
Happy Days Are Here Again
Beverly Hill Billies
When The Bloom Is On The Sage
Big Bill Boonzy
Somebody's Been Using That Thing
Cab Colloway and his Cotton Club Orchestra
St Louis Blues
Carmen Miranda
Pra Voce Gostar De Min (Tahi)
Don Aziazu and His Havana Casino Orchestra
The Peanut Vender
Duke Ellington
Ring Dem Bells
Three Little Words
Earl Burtnett & his Los Angeles Biltmore
Hotel Orchestra
Puttin On The Ritz
So Beats My Heart For You
Fred Astaire
Crazy Feet
Fred Waring's Pennsylvanians
Little White Lies
Guy Lombardo
Confessin' That I Love You
You're Driving Me Crazy! (What Did I Do?)
Harry Richman
Puttin' On The Ritz
Hilo Hawaiian Orchestra
When It's Springtime In The Rockies
Isham Jones
Trees
What's The Use
Jack Payne and his Orchestra
My Baby Just cares For Me
Jimmy Rogers
Anniversary Blue Yodel
Leo Reisman
What Is This Thing Called Love?
Leslie Sarony
Bunky-Doodle-I-Doh
Louis Armstrong
If I Could Be With You One Hour Tonight
Memories of You
McKinney's Cotton Pickers
If I Could Be With You One Hour Tonight
Mississippi Sheiks
Sitting on Top of the World
Nat Shilkret
Dancing With Tears In My Eyes
Get Happy
Paul Whiteman
Body & Soul
It happened In Monteray
Old New England Moon
Nobody's Sweetheart
After You've Gone
Red
Nichols Embraceable You
Regent Club Orchestra
Dancing With Tears In My Eyes
Roy Ingraham
Chant of the Jungle
Rudy
Vallee and his Connecticut Yankees
Betty Co-ed
Stein Song (University of Maine)
Ruth Etting
Ten Cents a Dance
Son House
Preachin Blues
Ted Lewis and his Orchestra
On the Sunny Side of the Street
Three O'Clock in the Morning
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Hot
(Adjective)
having or giving off heat; having a high temperature.
(Idioms & Slang)
get hot; to become very effective or successful; score or win repeatedly
or easily. hot and bothered, Informal . excited, aroused.
pop,
as in 'popular': (adjective) Pertaining
to the common people, or the people as a whole as distinguished from any
particular class.
Having characteristics attributed to the common people and intended for
or suited to ordinary people.
Songs:
a short metrical composition intended or adapted for singing, especially
one in rhymed stanzas.
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