|
|
Born In 1951?
|
| “Fasten your seatbelts. It’s going to be a bumpy night.” – Bette Davis |
Born on January 1, 1951 – January 17, 1951:
|
|
Teresa Brewer’s iconic song, “Music! Music! Music!” is a sultry, playful tune that emanates irresistible charm. Just as a silk dress shimmers under a dim chandelier, the melody seductively dances around the listener, enveloping them with a seductive blend of jazz, pop, and traditional vocal stylings. Brewer’s voice is akin to a warm sip of aged bourbon; it’s intoxicatingly smooth and sends shivers down the spine, making the listener crave for more. |
Born on January 29, 1951 – Februray 2, 1951:
|
| As the song starts, you’re greeted by the charming tickling of the ivories, a gentle yet captivating promise of what’s to come. The seductive, dance-like rhythm sways with a lover’s grace, creating a tempo that pulses like a steady and teasingly unpredictable heartbeat. |
Born on February 3, 1951 – February 10, 1951:
|
| The rhythm is intriguing and somewhat elusive, providing an alluring backbone to the melody. It weaves a story of intrigue and passion, setting a tempo that’s as compelling as a lover’s gaze from across a smoky, dimly lit room. |
Born on February 11, 1951 – April 20, 1951:
|
|
Guy Lombardo’s rendition of “The Thin Man Theme” is a sumptuous musical banquet that’s rich with intrigue and glamour, much like a stolen kiss in a moonlit ballroom. From the moment the song begins, you’re greeted with the shimmering elegance of the orchestral arrangement. The sweet caress of the strings, punctuated by the seductive whispers of the brass section, forms a luxuriously inviting backdrop to the melody. |
Born on April, 21, 1951 – April 27, 1951:
|
| Perry Como and The Fontaine Sisters’ charming collaboration, “Hoop-Dee-Doo,” is a vivacious musical flirtation that glimmers with a delightful sensuality. The song is a tantalizing dance of vocals and instrumentals, a sprightly waltz that exudes a joyous allure, much like a playful nudge and a wink shared between lovers. |
Born on April 28, 1951 – May 11, 1951:
|
|
The Ames Brothers’ “Sentimental Me” is a sultry ballad that resonates with a sultry, intoxicating passion. Much like a slow, intimate dance in a dimly lit room, this song effortlessly evokes an atmosphere of irresistible romance and undeniable desire. Each note of the melody is delivered with a tantalizing gentleness, the four brothers’ voices harmonizing in a seductive dance that sends a shiver down the spine. Their vocals are akin to rich, dark chocolate – smooth, rich, and deliciously intoxicating. |
Born on May 12, 1951 – May 25, 1950:
|
|
The Andrews Sisters’ “I Wanna Be Loved” is a captivating musical offering that shimmers with a desire as alluring as a soft touch on bare skin. Much like a sly, knowing glance across a crowded dance floor, the song speaks of longing and desire, making it a magnetic melody that pulls at the senses. The song begins with the tantalizing purr of the brass section, creating an irresistible rhythm that pulses with a sultry, lively energy. The music ebbs and flows like the ocean at midnight, creating a rhythm that’s as mesmerizing as a slow, hypnotic dance. |
Born on May 26, 1951 – July 1, 1951:
|
|
The piano’s gentle cadence dances perfectly harmoniously with Cole’s voice. Each key he hits is like a lover’s tender touch, the instrument whispering sweetly in the background, providing a lush backdrop for the captivating melody. The strings add a layer of sensuality to the song, their bows moving across the strings with the same grace and elegance of a dancer’s body swaying to a slow, seductive rhythm. The hauntingly beautiful sound they produce adds an air of mystery and longing to the song, much like the elusive smile of the Mona Lisa herself. “Mona Lisa” isn’t just a song, but a passionate serenade to beauty, mystery, and desire. It’s a masterful piece of music that makes the heart beat faster and the senses awaken with its raw, seductive allure. |
Born on July 2, 1951 – August 24, 1951:
|
|
The Weavers with Gordon Jenkins’ rendition of “Goodnight, Irene” is a soulful lullaby, swaying with a sultry rhythm that’s as intoxicating as a midnight dance under the starlit sky. Much like a whispered secret shared between lovers, the song captures an intimate tale of longing and desire. The rich, earthy timbre of The Weavers’ vocals offers a comforting warmth that soothes and captivates. Their harmonies weave a tapestry of sound, the notes rising and falling like waves lapping gently on a moonlit beach. The heartfelt emotion behind each word serves as a tender caress, leaving an indelible impression that lingers long after the song ends. |
Born on August 25, 1951 – September 16, 1951:
|
| From the first note, Page’s silken voice unfurls like a satin sheet, enveloping the listener in a soft, enticing embrace. Her vocals are a delicately plucked harp string, each note resonating with an alluring sweetness that draws you in and leaves you yearning for more. The lyrical message is a confession, an outpouring of affection delivered with such sincerity it leaves the listener spellbound. |
Born on September 17, 1951 – September 30, 1951:
|
|
Phil Harris’s “The Thing” is an intriguing sonic journey that pulses with a playful yet alluring energy. This tune, like a mischievous wink across a candlelit dinner table, holds a captivating and fun charm. From the outset, Harris’s deep and warmly textured distinctive voice draws you in, akin to a fireside tale told by a master storyteller. Each note is a whisper of mystery, a flirtatious tease that promises an entertaining ride. His vocals are as intoxicating as a fine aged whiskey, the rich timbre filling your senses, leaving you yearning for more. |
Born on October 1, 1951 – December 8, 1951:
|
|
Patti Page’s “The Tennessee Waltz” is a sublime melody that shimmers with a wistful longing, as intoxicating as a stolen dance beneath the southern stars. Much like a languid dance at twilight, the song captures the essence of bittersweet romance and yearning. Page’s voice is as velvety as a southern night, her words spun like silk as they glide effortlessly through the melody. Her vocals are a soft caress, each note wrapped in a gentle warmth that draws you in and holds you close. |
Born on December 9, 1951 – December 15, 1951:
|
|
The song, akin to a lingering gaze shared between two lovers across a dimly lit room, expresses unwavering affection and desire. From the very first note, Como’s velvety voice draws you in, his words a soothing balm that stirs the soul. His rich and resonant vocals convey a depth of feeling that tugs at your heartstrings. Each lyric is a whispered promise of love that resonates with sincerity. His warm and assuring voice paints a picture of a love as vast and deep as the sea, as enduring as the stars. |
Born on December 16, 1951 – December 31, 1951:
|
| From the first note, Lanza’s commanding tenor rings out with a raw, unfiltered passion that captivates and stirs the soul. His voice, as rich and bold as a glass of deep red wine, carries a depth of emotion that echoes with the desperation of unsatisfied desire. Each lyric is delivered as if it were a deeply personal confession, a plea for unity that is as earnest as it is enchanting. |
This Year’s Euphemism: Burping the Tupperware |
|
1950, a year that screamed charm, sex appeal, and sophistication in a way only mid-century could! Here’s what got people excited back then:
|
| The average length of human gestation (Your ‘Conception Era’) is 280 days, or 40 weeks, from the first day of the woman’s last menstrual period. The medical term for the due date is the estimated date of confinement (EDC). If you were born late or a bit premature, add or subtract those days. |
